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Description
Harriet Jacobs was born a slave in North Carolina, but, in her words, didn’t realize it until her father died when she was six years old. Six years later, when her mistress died, she was bequeathed to the mistress’ granddaughter, thereby coming into the household of the mistress’ lecherous son. Several years later she escaped, only to have to hide for seven years in a cramped garret that did not allow her to stand or sit up. She was finally able to make her way north, where she was reunited with her children. Many years later, after narrowly avoiding capture multiple times due to the Fugitive Slave Law, her employer purchased her freedom.
Jacobs, writing as Linda Brent, tells the riveting story of her life in the South as a slave. She brings an unflinching eye to “good” masters and mistresses who nevertheless lie to, steal from, and continually break promises to their slaves, and to bad masters who beat and kill their slaves for no particular reason. Even in the North, after her escape, she is disappointed to find prejudice and degrading treatment for blacks. After having been convinced to write down her story, it took years to find a publisher who would print it. It was finally made available to the public just a few months before the shots at Fort Sumter that began the Civil War.
Description
Rabindranath Tagore, sometimes referred to as the Bard of Bengal, was a poet, composer, and artist active in the latter half of the 19th century and the first half of the 20th century. His poetry had a profound impact on Bengali literature—so much so that in 1913 he became the first non-European to win the Nobel Prize in Literature.
Today Tagore is recognized for transforming Bengali art, moving it away from its classical forms by embracing the Bengal Renaissance. Though his artistic output spanned many disciplines, his most famous is perhaps Gitanjali, his collection of poems that he himself later translated to English. His impact on Indian and Bengali letters can be exemplified by the fact that two of his compositions were chosen as national anthems—“Jana Gana Mana” for India, and “Amar Shonar Bangla” for Bangladesh—and that the Sri Lankan national anthem was inspired by his work.
In these autobiographical sketches Tagore gives us windows into his childhood, his youth, and his blossoming as a writer and as a lyricist. He stresses that this is not an autobiography, but more like a palimpsest of memories: glimmers and shadows that illustrate his artistic development, not a strict record of his life.
Description
In the middle of the 1885 Serbo-Bulgarian war, an enemy soldier escapes a cavalry charge by climbing up a drainpipe into Raina Petkoff’s room. Raina is the daughter of one Major and engaged to another, but she chooses to save the soldier’s life by concealing him.
Arms and the Man, named after the opening lines of Virgil’s The Aeneid, is a play that humorously deals with the hypocrisy of humanity and the stupidity of war. It was among George Bernard Shaw’s first commercial successes, and was included in a collection of plays he referred to as Plays Pleasant, along with Candida, You Never Can Tell, and The Man of Destiny. Having coined the term “chocolate soldier,” the play has been staged multiple times in London’s West End and on Broadway, and has been adapted into operetta and film.
Description
Selma Lagerlöf was a Swedish author, who, starting in 1891 with The Story of Gösta Berling, wrote a series of novels and short stories that soon garnered both national and international praise. This led to her winning the 1909 Nobel Prize for Literature “in appreciation of the lofty idealism, vivid imagination, and spiritual perception that characterize her writings,” the first woman to do so. She happily wrote for both adults and children, but the same feeling of romantic infatuation with the spiritual mysteries of life runs through all of her work, often anchored to her childhood home of Värmland in middle Sweden.
The collection brings together the available public domain translations into English, in chronological order of their original publication. The subjects are many, and include Swedish folk-stories, Biblical legends, and tales of robbers, kings and queens, fishermen, and saints. They were translated by Pauline Bancroft Flach, Jessie Brochner, and Velma Swanston Howard.
Description
In this conclusion to the Psammead Trilogy, Cyril, Anthea, Robert, and Jane are reunited with the cantankerous Sand-fairy. While the old creature can’t grant them wishes anymore, it points them towards an old Egyptian amulet that can grant their hearts’ desire—in this case the return of their parents and baby brother. While their amulet is only half of a whole, it still acts as a time portal which they use to visit locales like Ancient Egypt, Babylon, Atlantis, and even a utopian future in search of the missing other half.
Perhaps one of E. Nesbit’s most personal works, The Story of the Amulet benefited from her interest in the ancient world, particularly Egypt. With the help of A. E. Wallis Budge, to whom the book is dedicated—then Head of the Assyrian Departments of the British Museum and translator of the Egyptian Book of the Dead—she conducted extensive research on the topic and is thus able to bring an exquisite attention to detail. For example, the titular amulet is shaped after the tyet, an Egyptian symbol also known as the “knot of Isis.” Likewise, the inscription at the back of the amulet is written in authentic Egyptian hieroglyphs.
A staunch supporter of democratic socialism and a founding member of the Fabian Society, E. Nesbit cultivated friendships with other like-minded writers, such as George Bernard Shaw and H. G. Wells, whose influence on this book is easy to notice. She practiced what she preached, so much so that despite her literary successes, her acts of charity brought her close to bankruptcy.
These political beliefs are prominently displayed in the book. The children encounter memorable characters during their adventures, chief among them the Queen of Babylon, who causes quite a stir when she later pays them a call in their contemporary London. When the visiting Queen witnesses the squalid living conditions of the London working class, she’s amazed at how poorly they’re treated compared to the slaves of her own Babylon. Likewise, the utopian future—which features a wink to her friend H. G. Wells, the “great reformer”—is a striking contrast in terms of the happiness, care, and education of the general populace.
The book’s legacy can be found in the works of other writers. Most notably, C. S. Lewis incorporated several elements in his Chronicles of Narnia: the Calormene civilization of The Horse and His Boy draws heavily from The Amulet’s Babylon, and the episode in The Magician’s Nephew where Jadis, the White Witch, causes chaos during her short stay in London is also a direct homage to the aforementioned visit from the Queen. The format of these stories, where a group of people take their audience on adventures through time and space to learn about distant cultures, is an uncanny precursor to the popular British TV series Doctor Who.
Description
Arsène Lupin’s attempted robbery of the deputy Daubrecq has gone horribly wrong, leaving behind a murdered man and two of his accomplices in the hands of the police. Now he finds himself pulled into an ever more conspiratorial spiral as he attempts to gain leverage over the people who can free his men. Set before the events of the preceding 813, this again portrays Lupin in a much different light to the earlier books. At times almost coming to despair, this story shows him grappling with his personal morals whilst trying to do the best for those closest to him.
The story was originally serialised in Le Journal in 1912, before being published as a novel in both the original French and this English translation by Alexander Teixeira de Mattos in 1913.
Description
Ardalyon Borisitch Peredonov believes himself better than his job as a teacher, and hopes that the Princess will be able to promote him to the position of Inspector. Unfortunately for him his connection to the Princess is through his fiancée Varvara, and she has her own plans. With little sign of the desired position his life of petty cruelty escalates, even as his grip on reality begins to break apart and his paranoia manifests itself in hallucinations of a shadowy creature.
Finished in 1907, The Little Demon (alternatively translated as The Petty Demon) is Fyodor Sologub’s most famous novel, and received both popular and critical attention on its publication despite its less-than-favorable depictions of provincial Russian life. Its portrayal of Peredonov as a paranoid character simultaneously both banal and bereft of goodness is an essay on the Russian concept of poshlost; a theme that makes an appearance in many other Russian novels, not least Chichikov in Gogol’s Dead Souls. This translation (primarily by John Cournos) was published in 1916, and includes a preface by Sologub for the English-speaking reader.
Description
Benjamin Disraeli was a remarkable historical figure. Born into a Jewish family, he converted to Anglican Christianity as a child. He is now almost certainly most famous for his political career. Becoming a member of the British Parliament at the age of 33, he initially rose to prominence within the Conservative (“Tory”) party because of his clashes with the then Prime Minister Sir Robert Peel. Rising to lead the Conservative Party, Disraeli became Prime Minister for a short period in 1868, and then for an extended period between 1874 and 1880. He became friendly with Queen Victoria and was appointed Earl of Beaconsfield by her in 1876.
However, Disraeli was much more than a politician. He wrote both political treatises and no less than seventeen novels during his lifetime, of which Sybil, or The Two Nations is now among the best regarded. The “Two Nations” of the subtitle refer to the divisions in Britain between the rich and the poor, each of whom might as well be living in a different country from the other. In the novel, Disraeli highlights the terrible living conditions of the poor and the shocking injustices of how they were treated by most employers and land-owners. He contrasts this with the frivolous, pampered lifestyles of the aristocracy. He covers the rise of the Chartist movement, which was demanding universal manhood suffrage—the right for all adult men to vote, regardless of whether they owned property—and other reforms to enable working men a voice in the government of the country. (Female suffrage was to come much later). The upheavals of the time led to the development of the People’s Charter and a massive petition with millions of signatures being presented to Parliament. However the Parliament of the time refused to even consider the petition, triggering violent protests in Birmingham and elsewhere. All of this is well covered and explained in the novel.
Sybil is rather disjointed in structure as it ranges over these different topics, but the main plot revolves around Egremont, the younger son of a nobleman, who encounters some of the leaders of the workers’ movement and in particular Walter Gerard, one of the most respected of these leaders, whom Egremont befriends while concealing his real name and social position. During visits to Gerard under an assumed name, Egremont falls for the beautiful and saintly Sybil, Gerard’s daughter, but she rejects him when his true identity is exposed. Sybil subsequently undergoes many difficult trials as the people’s movement develops and comes into conflict with the authorities.
Description
Born in 1842, Camille Flammarion was a French astronomer who wrote many popular books about science and astronomy, together with a number of novels which we would now consider to be science fiction. He was a contemporary of H. G. Wells and Jules Verne, though his works never achieved their level of popularity.
Omega: The Last Days of the World is an English translation of Flammarion’s novel La Fin du Monde, published in 1893. The book’s fictional premise is the discovery of a comet on a collision course with the Earth in the 25th century. However, this is mostly a pretext on which Flammarion can hang his interesting scientific speculations about how the world will end, together with philosophical thoughts about war and religion. Much of the scientific description he uses in the book, while accurately representing the knowledge and thinking of his time, has today been superseded by modern discoveries. For example, we now know the source of the Sun’s energy to be nuclear fusion rather than being due to gravitational contraction and the constant infall of meteorites.
When talking about the ills of society, however, Flammarion could well be talking about today’s world. For example, he excoriates the vast waste of society’s resources on war, and demonstrates how much more productive each nation’s economy would be without it. He also depicts the media of his future world as having been entirely taken over by commercial interests, publishing only what will excite the greatest number of readers rather than serving the public interest.
Omega ranges over a vast period of time, from prehistory through to millions of years in the future when mankind has been reduced to the last two doomed individuals. Nevertheless, the book ends on a hopeful and inspiring note.
Description
Eminent Victorians consists of four short biographies by Lytton Strachey of Victorians who were famous in their day: Cardinal Manning, a powerful cleric; Florence Nightingale, founder of modern nursing; Thomas Arnold, founder of the modern-day English public school style; and General Gordon, a popular officer of the British Army.
In Strachey’s day, these people were considered heroes and paragons of Victorian morality and ethics. But instead of lengthy, glowing biographies, Strachey opts for short, witty, and biting biographies that skewer their subjects. All of the subjects are portrayed with their human flaws and moral contradictions on full display, implicitly knocking down the sanctimonious visions of these former heroes (perhaps with the exception of Nightingale, who, while portrayed as an often-cold and mercilessly-driven taskmistress, nevertheless escaped with her reputation enhanced).
The biographies are not only interesting for their wit, humor, and readability, but because of the windows they open to the issues of the age. Manning’s biography occurs against the backdrop of a time of upheaval in the English Catholic church, with concepts like Papal Infallability entering the picture; Nightingale’s biography shines light on the appalling conditions of war; Arnold’s biography is a lens on the development of formal education and schools; and Gordon’s biography reveals England as an empire growing more unsteady, whose ability to influence and control faraway lands is not as certain as it might think.
Eminent Victorians took six years to write and was met with glowing reviews on its publication. It made Strachey famous and cemented his name in the list of top-tier biographers.