
Description
Fyodor Sologub was a Russian poet, novelist and playwright, working in the late nineteenth and early twentieth centuries. His work generally has a downcast outlook with recurring mystical elements, and often uses anthropomorphic objects or fantastical situations to comment on human behaviour. As well as novels (including the critically acclaimed The Little Demon), Sologub wrote over five hundred short stories, ranging in length from half-page fables to nearly novella-length tales.
While most of his short stories were not contemporaneously translated, both John Cournos and Stephen Graham produced English compilations and contributed individual stories to publications such as The Russian Review and The Egoist. This collection comprises the best individual English translations in the public domain of Sologub’s short stories, presented in chronological order of the publication of their translation.

Description
Hidden in the forest, the poet Trirodov attempts to secede from the troubled society of early twentieth century Russia to build his own utopia: a school for the quiet children he cares for. Nothing is ever that easy though, and his personal connections to the outside world tie him into the political whirlwind of agitators, factions and power struggles that threaten his solitude.
The Created Legend portrays a stark contrast to the protagonists of Sologub’s earlier work The Little Demon, even though the setting is the same town of Skorodozh. There, they varied from at best well-meaning to actively malignant; here the lead characters are idealistic, and isolate themselves from the trials of Russian society in an attempt to maintain their idealism. Trirodov sees beauty and mystery everywhere he looks, and (following the title) works to create his own legend.
This volume, originally titled “Drops of Blood,” is the first of the “Created Legend” trilogy and the only one translated contemporaneously into English. It was received with some bewilderment by critics: the combination of current affairs and magical events proved too strange for many. However, treated as an early example of magic realism and with the benefit of hindsight, the setting and symbolism is less shocking and more readily accessible to the modern reader.

Description
Ardalyon Borisitch Peredonov believes himself better than his job as a teacher, and hopes that the Princess will be able to promote him to the position of Inspector. Unfortunately for him his connection to the Princess is through his fiancée Varvara, and she has her own plans. With little sign of the desired position his life of petty cruelty escalates, even as his grip on reality begins to break apart and his paranoia manifests itself in hallucinations of a shadowy creature.
Finished in 1907, The Little Demon (alternatively translated as The Petty Demon) is Fyodor Sologub’s most famous novel, and received both popular and critical attention on its publication despite its less-than-favorable depictions of provincial Russian life. Its portrayal of Peredonov as a paranoid character simultaneously both banal and bereft of goodness is an essay on the Russian concept of poshlost; a theme that makes an appearance in many other Russian novels, not least Chichikov in Gogol’s Dead Souls. This translation (primarily by John Cournos) was published in 1916, and includes a preface by Sologub for the English-speaking reader.