Description
In this conclusion to the Psammead Trilogy, Cyril, Anthea, Robert, and Jane are reunited with the cantankerous Sand-fairy. While the old creature can’t grant them wishes anymore, it points them towards an old Egyptian amulet that can grant their hearts’ desire—in this case the return of their parents and baby brother. While their amulet is only half of a whole, it still acts as a time portal which they use to visit locales like Ancient Egypt, Babylon, Atlantis, and even a utopian future in search of the missing other half.
Perhaps one of E. Nesbit’s most personal works, The Story of the Amulet benefited from her interest in the ancient world, particularly Egypt. With the help of A. E. Wallis Budge, to whom the book is dedicated—then Head of the Assyrian Departments of the British Museum and translator of the Egyptian Book of the Dead—she conducted extensive research on the topic and is thus able to bring an exquisite attention to detail. For example, the titular amulet is shaped after the tyet, an Egyptian symbol also known as the “knot of Isis.” Likewise, the inscription at the back of the amulet is written in authentic Egyptian hieroglyphs.
A staunch supporter of democratic socialism and a founding member of the Fabian Society, E. Nesbit cultivated friendships with other like-minded writers, such as George Bernard Shaw and H. G. Wells, whose influence on this book is easy to notice. She practiced what she preached, so much so that despite her literary successes, her acts of charity brought her close to bankruptcy.
These political beliefs are prominently displayed in the book. The children encounter memorable characters during their adventures, chief among them the Queen of Babylon, who causes quite a stir when she later pays them a call in their contemporary London. When the visiting Queen witnesses the squalid living conditions of the London working class, she’s amazed at how poorly they’re treated compared to the slaves of her own Babylon. Likewise, the utopian future—which features a wink to her friend H. G. Wells, the “great reformer”—is a striking contrast in terms of the happiness, care, and education of the general populace.
The book’s legacy can be found in the works of other writers. Most notably, C. S. Lewis incorporated several elements in his Chronicles of Narnia: the Calormene civilization of The Horse and His Boy draws heavily from The Amulet’s Babylon, and the episode in The Magician’s Nephew where Jadis, the White Witch, causes chaos during her short stay in London is also a direct homage to the aforementioned visit from the Queen. The format of these stories, where a group of people take their audience on adventures through time and space to learn about distant cultures, is an uncanny precursor to the popular British TV series Doctor Who.
Description
Initially published in The Strand Magazine, which explains its episodic nature, Five Children and It was later collected into a book. Like many of E. Nesbit’s works, it has proven popular with children and adults to this day. It has been adapted into a TV series, a musical, a film, and even an anime series.
In this story, five siblings encounter an ancient magical creature in a gravel pit. The Psammead, as it calls itself, grants each of them a wish per day, with the restriction that it ends at sunset. As expected, all of the children’s wishes go comically wrong, and it’s up to them to solve the problems they created.
E. Nesbit’s enduring popularity is due in large part to the way she addresses children. Like Lewis Carrol and Kenneth Grahame, she engages children seriously, tapping into their imagination without any condescension. C. S. Lewis admired her, and the grumpy (but kind) sand-sorcerer Psamathos in Roverandom, a story J. R. R. Tolkien wrote for his own children, bears a striking resemblance to the Psammead—indeed, an early version of the story featured the creature itself!
Description
The Enchanted Castle is a novel for young readers by Edith Nesbit, who was writing in the late Victorian and early Edwardian era in Britain. As in her other children’s books, it begins in the everyday world but quickly brings in the fantastical and magical. A large part of the delight of Nesbit’s books is that her children behave in quite ordinary ways, getting into scrapes, getting dirty and their clothes torn, making decisions which seem right to them at the time but which are generally wrong-headed. It’s the contrast between the ordinariness of the children and the magical adventures they become involved in which makes the books so charming.
The Enchanted Castle was originally serialized in The Strand Magazine alongside stories by Rudyard Kipling and Arthur Conan Doyle. The first book edition was published in 1907.
In the story, Kathleen and her brothers Gerald and Jimmy find a way into a remarkable garden designed to create a Palladian landscape, full of statues and pseudo-Classical temples and buildings. It is not long before they come across a sleeping Princess. They wake her, and she introduces them to an item of real magical value, a ring which makes its wearer invisible. But once on, the ring won’t come off! “Those of my readers who have gone about much with an invisible companion will not need to be told how awkward the whole business is,” comments the author, which is indicative of the simple and direct language she uses, and the humor of the books. Even the invisibility ring, however, is not quite as simple as it seems; and many interesting and amusing adventures follow.
Description
The Railway Children is Edith Nesbit’s most well-known and well-loved book for young readers. Since its first book publication in 1906, it has been made into movies, radio plays and television series several times, dramatised in the theatre, performed in actual railway stations, and even turned into a musical.
It tells the story of three children: Roberta, Peter and Phyllis, who with their mother are forced to leave their comfortable suburban home and go to live in a small cottage in the country, after their father is taken away from them for what at first seem inexplicable reasons. They live there very quietly, not going to school, whilst their mother writes stories and poems to earn a small income. The children’s lives, however, are greatly enlivened by their proximity to a nearby railway line and station, in which they take great interest. They befriend the railway staff and have several adventures in which they demonstrate considerable initiative and courage.
One unusual topic touched on by the book is the then-current Russia-Japan war, which divided opinion in England. Nesbit was clearly opposed to the actions of the Tsarist government of Russia, and she introduces into the story a Tolstoy-like Russian writer who has escaped from a prison camp in Siberia, to which he was condemned for publishing a book espousing his liberal views.
Description
Wet Magic was the last novel for children published by E. Nesbit. It was originally serialized in The Strand Magazine in 1912, with a book version published in 1913.
In the book, four brothers and sisters are on their way to a holiday at the beach. While traveling on a train, they’re excited to read about the purported sighting of a mermaid near the coastal town where they’ll be staying, and agree among themselves to join the hunt for this mythical creature. But when they arrive, they discover that the mermaid has been captured and put on show at a circus at the local fairground. After the older children encounter another mermaid in the sea, who implores them to help, they agree they must do what they can to free the captured one. This leads them on to strange adventures.
While Wet Magic has much of Nesbit’s characteristic charm and humor, it doesn’t appear to have been received as well as her other books, nor has it been as frequently reprinted.
Description
Harding’s Luck, published in 1909, is the sequel to The House of Arden by E. Nesbit.
Rather darker and more serious in tone than the previous book, this novel is set in England’s Edwardian era, when there was no government-supported welfare and the poor still sometimes starved to death. It centers on young Dickie Harding, a poor, lame orphan boy who is enticed to run away with a disreputable tramp, Mr. Beale. Beale intends to use him to help carry out burglaries (a plot device not dissimilar to that of Oliver Twist). Nevertheless Beale becomes a substitute father-figure to Dickie and a strong mutual affection develops.
The story then introduces a magical device which sends Dickie back in time to the early reign of King James I, where he inhabits the body of the son of the lord of a castle. Despite this new, very comfortable existence, where he is a member of a rich, respected family and no longer lame, Dickie selflessly forces himself to return to his present day because of a promise he had made to Beale and a desire to help Beale lead a more honest life.
Nesbit was a member of the socially-progressive Fabian Society and a friend of H. G. Wells, and it shows in her stories. While Harding’s Luck is primarily a children’s novel, it touches on many deeper themes and comments seriously on the social conditions of the author’s time.
Description
Like other E. Nesbit stories, The Phoenix and the Carpet was initially published in The Strand Magazine. While The Railway Children or Five Children and It proved more popular, Phoenix has still been adapted into three BBC TV series and a film.
The story picks up some time after the events of Five Children and It. The children are back in London and encounter another ancient, magical creature: this time a noble, beautiful, arrogant, and vain Phoenix. He comes with a magic carpet which the gang uses to go on adventures around the world. Some things don’t go as planned, but there are still opportunities to make others happy.
As a female British author of children stories, E. Nesbit was not a typical early 20th century woman. Described as tomboy during her childhood, she grew up a staunch supporter of democratic socialism in a time when many were crushed under poverty. She was a founding member of the Fabian Society, and dedicated herself to charity work, so much so that she almost ended up in poverty.
Nesbit’s stories continue to fascinate readers. Her dry wit and respect with which she engages children ensures that adults can also enjoy her tales. Her depiction of magic—how it follows rules which must be taught or learned, and the painful consequences when they are forgotten—has influenced the works of other writers such as P. L. Travers, C. S. Lewis, and J. K. Rowling.
Description
Edith Nesbit was a popular children’s author of the late Victorian and early Edwardian eras in Britain. Though she was writing more than a century ago, her books nevertheless remain popular and are generally still in print.
The House of Arden was published in 1908. Like her other, perhaps better known tales, such as Five Children and It, the story takes quite ordinary children of the time and plunges them into fantastical adventures.
In this book, two children, with the interesting Saxon names of Edred and Elfrida, aged 10 and 12 respectively, discover that due to the death of a distant relative, young Edred is now Lord of Arden. The estate consists of not much more than a little money, a crumbling castle, and an attached house. An old retainer tells them of a legend regarding the Lord of Arden and a buried treasure. Naturally they are eager to locate the treasure, which may help them restore the castle. They discover a way to summon up the mascot of the House, a white mole or “mouldiwarp,” who enables them to travel back through time in search of the treasure.