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Description
Early in his literary career Oscar Wilde published two collections of children’s stories and fairy tales. This edition contains the stories from both The Happy Prince and Other Tales, published in 1888, and A House of Pomegranates, published in 1891. The two books present two slightly different sensibilities, and though stories like “The Happy Prince” and “The Selfish Giant” have grown into timeless children’s classics, the darker tales told in A House of Pomegranates remain less well known and were, as Wilde said, “intended neither for the British child nor the British public.”
While Wilde is best known as a playwright and celebrated for his wit and aphorisms, his early writings contain the seeds of his biting criticism of late Victorian society. And this was true no more so than in these fairy stories which explore the ideals of friendship, love, kindness and charity; the stories both celebrate these attributes and show how they are too often twisted or ignored by the very societies that espouse them.
Description
In the midst of the French Revolution, Pierre, a young firebrand, convinces a group of rabble to rise up against the local duc. Coming across the carriage of the duc’s daughter on their march, Pierre assaults her, is run over by the carriage, and disappears. Looking to punish someone for the uprising, the duc has Pierre’s father hanged.
Years later, Pierre has changed his name, gathered some wealth, and ingratiated himself with the duc (who does not know him). Pierre has plans to avenge his father’s death against both the duc and his daughter, and he has enlisted the aid of Chauvelin, the Scarlet Pimpernel’s avowed enemy. The Pimpernel will have all he can handle if he is to foil Pierre’s plans.
Although published a few years after El Dorado, this sixth book in the series is set prior to it in the timeline.
Description
No More Parades is the second in Ford Madox Ford’s Parade’s End series. The book, released just a few years after the close of the war, is based on Ford’s combat experiences as an enlisted man in World War I, and continues the story first begun in Some Do Not ….
Christopher Tietjens, after recovering from the shell shock he suffered in Some Do Not …, has returned to the edge of the war as a commanding officer in charge of preparing draft troops for deployment to the front. As the “last true Tory,” Tietjens demonstrates talent bordering on genius as he struggles against the laziness, incompetence, and confusion of the army around him—but his troubles only begin when his self-centered and scandalous wife Sylvia appears at his base in Rouen for a surprise visit.
Unlike Some Do Not …, which was told in a highly modernist series of flash-backs and flash-forwards, Parade’s End is a much more straightforward narrative. Despite this, the characters continue to be realized in an incredibly complex and nuanced way. Tietjens, almost a caricature of the stiff, honorable English gentleman, stoically absorbs the problems and suffering of those around him. Ford simultaneously paints him as an almost Christlike character and an immature, idealistic schoolboy, eager to keep up appearances despite the ruination it causes the people around him. Sylvia, his wife, has had her affairs and scandals, and is clearly a selfish and trying personality; but her powerful charm, and her frustration with both her almost comically stiff-lipped husband and the war’s interruption of civilization, lends her a not-unsympathetic air. The supporting cast of conscripts and officers is equally well-realized, with each one protraying a separate aspect of war’s effect on regular, scared people simply doing their best.
The novel was extremely well-reviewed in its time, and it and the series it’s a part of remain one of the most important novels written about World War I.
Description
Edith Wharton’s controversial novel Summer is the story of Charity Royall, an ambitious young woman trapped in a stifling small town by both her gender and her social class. When a visiting stranger arrives in town, Charity is awakened to a wider world of possibilities and to the realities that constrain her.
Published in 1917, the novel was both attacked and ignored for openly acknowledging female sexuality and its many inequities. Later generations of critics have come to regard the book as an important turning point in Wharton’s work and a spiritual companion to her classic novel, Ethan Frome.
Description
Harding’s Luck, published in 1909, is the sequel to The House of Arden by E. Nesbit.
Rather darker and more serious in tone than the previous book, this novel is set in England’s Edwardian era, when there was no government-supported welfare and the poor still sometimes starved to death. It centers on young Dickie Harding, a poor, lame orphan boy who is enticed to run away with a disreputable tramp, Mr. Beale. Beale intends to use him to help carry out burglaries (a plot device not dissimilar to that of Oliver Twist). Nevertheless Beale becomes a substitute father-figure to Dickie and a strong mutual affection develops.
The story then introduces a magical device which sends Dickie back in time to the early reign of King James I, where he inhabits the body of the son of the lord of a castle. Despite this new, very comfortable existence, where he is a member of a rich, respected family and no longer lame, Dickie selflessly forces himself to return to his present day because of a promise he had made to Beale and a desire to help Beale lead a more honest life.
Nesbit was a member of the socially-progressive Fabian Society and a friend of H. G. Wells, and it shows in her stories. While Harding’s Luck is primarily a children’s novel, it touches on many deeper themes and comments seriously on the social conditions of the author’s time.
Description
Psmith, down on his luck, takes out a newspaper advertisement to undertake a job, and the Hon. Freddie Threepwood, younger son of Lord Emsworth, enlists Psmith to steal his Aunt Constance’s diamond necklace. Psmith inveigles himself into Blandings Castle, posing as a Canadian poet. He falls in love with Eve Halliday and has to survive the suspicious and Efficient Baxter. In the meantime, others in Blandings Castle are also after the necklace.
Sir Pelham Grenville Wodehouse was an English author and one of the most widely read humorists of the twentieth century. After leaving school, he was employed by a bank but disliked the work and turned to writing in his spare time. His early novels were mostly school stories, but he later switched to comic fiction, creating several regular characters who became familiar to the public over the years.
Leave It to Psmith was originally serialized in the Saturday Evening Post in the U.S. and in Grand Magazine in the U.K. in 1923. It is the sequel to Psmith, Journalist.
Description
The Wings of the Dove is perhaps the most well-received of Henry James’s novels. First published in 1902, it follows Kate Croy and Merton Densher, an engaged couple in late-Victorian London, who meet Milly Theale, a wealthy American heiress.
Milly, though young and lively, is burdened with a fatal disease. She wishes to spend her last days on happy adventures through Europe, and her sparkling personality, still bright despite her looming death, quickly makes her a hit in the London social scene. As she plans an excursion to Venice, Kate and Merton, who are too poor to marry and still maintain their social standing, scheme to trick Milly out of her inheritance.
The character of Milly is partly based on Minny Temple, James’ cousin who died young of tuberculosis. He later wrote that the novel was his attempt to immortalize her memory, and that he spent years developing the core of the book’s conceit before committing it to the page. The novel is James at his peak: dizzyingly complex prose weaves rich, impressionistic character studies, heavy in symbolism and allusion, amid the glamorous backdrops of high-society London and decaying Venetian grandeur.
Description
King Henry V has suddenly died, and the kingdom is in chaos. In England, noblemen are fighting amongst themselves. Loyalties are divided into two factions: the White Roses (York) and the Red Roses (Lancaster). The Duke of Gloucester, Henry VI’s Protector, is accused by Cardinal Beaufort of seizing the throne for himself.
Meanwhile in France, the Dauphin Charles has been crowned the new king. English-held land once conquered by Henry V is quickly being recaptured by French forces. In one of these battles, the English hero Talbot is imprisoned. A French woman named Joan la Pucelle—also known as Joan of Arc—has been having visions that reveal to her how to defeat the English Army.
The only thing that unifies the two countries is their pessimism towards the new English monarch. It is now Henry VI’s turn to rule over England, or die trying.
This Standard Ebooks production is based on William George Clark and William Aldis Wright’s 1887 Victoria edition, which is taken from the Globe edition.
Description
Verses on Various Occasions is a collection of poems written by John Henry Newman between 1818 and 1865. This period of Newman’s ecclesiastical career saw his ordination as an Anglican priest in 1825, his involvement in the High Church “Oxford Movement” in the 1830s, his conversion to Roman Catholicism in 1845, and his founding of the Birmingham Oratory, a Catholic religious community, in 1849.
The poems in this collection span a range of Christian subjects, including piety, biblical prophets, Church Fathers, and Newman’s evolving views on the Catholic Church. Some noteworthy inclusions are “The Pillar of the Cloud,” which has been set to music as the hymn “Lead, Kindly Light,” and “The Dream of Gerontius,” which relates a man’s journey into the afterlife, inspired by Dante’s Divine Comedy.
Description
National Avenue, originally titled The Midlander, is Booth Tarkington’s final entry in his Growth Trilogy. Like the previous entries in the series, National Avenue addresses the rapid industrialization of small-town America at the turn of the century, and the socioeconomic changes that such change brings with it.
Dan Oliphant and his brother Harlan are the children of a wealthy small-town businessman. Harlan is a traditional upper-class man—affecting an accent, dressing for dinner, and contemplating beauty and culture—while Dan is boisterous and lively, eager to do big things. Dan sees the rise of industry in America’s east as a harbinger for his own Midwestern town, and sets his mind on building an industrial suburb, Ornaby Addition, next to his city’s downtown.
Dan’s idea is met with scorn and mockery from not only his family, but also his fellow townspeople. Dan persists nonetheless, and soon the town must contend with his dream becoming a reality: noisy cars, smoky factories, huge, unappealing buildings, and the destruction of nature and the environment become the new normal as Dan’s industrial dream is realized.
Where The Turmoil focuses on industrialization’s effect on art and culture, and The Magnificent Ambersons focuses on industry’s destruction of family and of small-town life, National Avenue focuses on the men and women who actually bring that change about. Dan is portrayed sympathetically, but Tarkington makes it clear that his dreams and choices lead to a deeply unhappy family life and the ruination of the land around him. But can Dan really be faulted for his dream, or is industry inevitable, and inevitably destructive?