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The first battle of St. Alban’s is over and the White Rose faction is victorious. They have captured Henry VI and, after having threatened him with violence, secured the king’s promise of passing the crown to Edward Plantagenet after his death. Not willing to accept her son’s disinheritance, Queen Margaret decides to take matters into her own hands and declares war on the Yorkists.
Margaret’s forces invade Wakefield Castle, home to the Duke of York and his sons, and successfully capture York. The queen and Clifford taunt York and eventually stab him to death. York’s sons Edward and Richard receive news of their father’s death, vow to get their revenge, and plan to place Edward on the English throne.
This Standard Ebooks production is based on William George Clark and William Aldis Wright’s 1887 Victoria edition, which is taken from the Globe edition.
Description
In the process of writing his memoirs, Arsène Lupin takes us back to his early twenties and his first love: Clarice d’Etigues. Although forbidden by her father to meet, that doesn’t stop Ralph d’Andresy—Lupin’s nom du jour—from wooing Clarice. But when he finds evidence on the d’Etigues estate of a conspiracy to murder a woman, he cannot help but be drawn into the ensuing three-way race to a legendary treasure.
Memoirs of Arsène Lupin was originally published in France in 1924 under the name La Comtesse de Cagliostro; this English translation was published the following year. Maurice Leblanc was not the only author to call on the myth of Cagliostro as a framing device: both Goethe and Dumas had written famous novels on the subject. This story showcases a Lupin who is growing into his abilities, and with the swings between outright confidence and self-doubt that would be expected of so comparatively young a protagonist.
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Growing bored while accompanying his Cambridge chum Mike on a cricket tour of the United States, Psmith seeks adventure in New York City. He finds it in the form of the weekly newspaper Cosy Moments, a completely bland and inoffensive publication at which, through charm and sheer force of personality, Psmith appoints himself an unpaid subeditor, fires the entire contributing staff, and embarks on a crusade against the slumlords, gangs, and boxing managers of his holiday destination.
Psmith, Journalist is the second of Wodehouse’s Psmith novels, and is a marked departure from the author’s usual settings and themes. It presents a very strong social justice theme with direct, harsh condemnation of exploitation, corruption, racism, and inequality in early-twentieth century America, and its themes continue to resonate with readers a century later.
The story first appeared in The Captain magazine from October 1909 to February 1910, and was first published as a book, including eight illustrations, by A & C Black in 1915. This Standard Ebook is based on the 1923 edition by the same publisher.
Description
Probably Virginia Woolf’s best-known novel, Mrs. Dalloway, originally published in 1925, is a glorious, ground-breaking text. On the surface, it follows Clarissa Dalloway, an Englishwoman in her fifties, minute by minute through the June day on which she is having a party. At a deeper level, however, the novel demonstrates, through an effortless stream of consciousness, the connections formed in human interaction—whether these interactions are fleeting, or persist through decades.
This is a novel to read and cherish, if only to marvel at Woolf’s linguistic acrobatics. Words and phrases swoop and soar like swallows. Woolf’s sentences are magnificent: sinuous, whirling, impeccably detailed. As narrative perspective shifts from character to character—sometimes within a single sentence—readers come to understand the oh-so-permeable barrier between self and other. Through Clarissa we meet Septimus Warren Smith, his wife Rezia, and a cast of dozens more, all connected by the “leaden circles” of Big Ben marking the passage of every hour, by the pavements of Bloomsbury that lead everywhere and nowhere. Modernist London has never been portrayed more sublimely: replete with birdsong and flowers, resplendent in sunshine, youthful yet eternal—and even in the aftermath of war and pandemic, resilient.
Mrs. Dalloway is Woolf’s attempt to express that which may be inexpressible. It offers a close examination of how difficult it is, even when our hearts are brimming, to say what we really feel; and it examines the damage we inflict through our reticence with words, our withholding of love. It is a novel of the soul, and a work of immense beauty.
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Though often packed into the genre of science fiction, R. A. Lafferty might fit better into a category of the bizzare. Through a blend of folk storytelling, American tall tales, science fiction, and fantasy, all infused with his devout Catholicism, he has created an inimitable, genre-bending, sui generis style.
Lafferty has received many Hugo and Nebula Award nominations and won the Best Short Story Hugo in 1973.
Collected here are all of his public domain short stories, all of which were originally published in science fiction pulp magazines in the 1960s.
Description
Lord Jim was first published as a serial in Blackwood’s Magazine between October 1899 and November 1900. The first edition of the complete book was published by William Blackwood and Sons in 1900. The story begins when the young British seaman Jim, one of the crew of the steamer Patna, abandons the ship while it’s in distress. The resulting censure prevents Jim from finding stable employment, until a captain named Marlow suggests he find his future in Patusan, a small village on a remote island in the South Seas. There he’s able to earn the respect of the islanders and is dubbed “Lord Jim.”
The abandoning of the Patna by its crew is said to have been based on the real-life abandoning of the S.S. Jeddah in 1880. Lord Jim explores issues of colonialism, dreams of heroism, guilt, failure, and redemption. The book is remarkable for its unusual nested narrative structure, in which Captain Marlow and a number of other characters provide multiple perspectives of the protagonist. The gradual build-up of their richly described viewpoints imparts glimpses of Jim’s inner life, yet ultimately leaves him unknowable.
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
Description
This collection contains the poems written by James Weldon Johnson between 1899 and 1922. During this period of Johnson’s life, he worked as a Broadway songwriter with his brother John Rosamund in the early 1900s, served as a United States Consul in Venezuela from 1906 to 1908 and in Nicaragua from 1909 to 1913, and was appointed as the first executive secretary of the National Association for the Advancement of Colored People (NAACP) in 1920. Johnson’s work arose in the milieu of the 1920s “Harlem Renaissance,” a term which Johnson personally refused to use, favoring “the flowering of Negro literature” instead.
Perhaps among the most notable works anthologized in this collection are the lyrics of “Lift Ev’ry Voice and Sing,” a hymn originally written as a poem by Johnson in 1899. Having been dubbed “The Black National Anthem,” the hymn has taken on the significance of a rallying cry for black Americans and is a frequent inclusion in Christian hymnals.
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G.K. Chesterton was an English writer, journalist, philosopher, poet and lay theologian. He delighted in standing conventional wisdom on its head in order to expose what he considered to be the lack of substance in the “vague modern.”
In Heretics, he touches on a range of topics, including social Darwinism, eugenics, nihilism and atheism, while enumerating the flaws he finds in the work of his intellectual contemporaries such as Rudyard Kipling, Friedrich Nietzsche, George Bernard Shaw, and H. G. Wells.
Description
One of the most celebrated English comedies of manners, Sheridan’s The School for Scandal was first produced in 1777 at London’s Drury Lane Theatre. It opened just a year after Sheridan succeeded the famous actor/manager David Garrick as manager and, after Garrick had read the play, he even volunteered to write the prologue—lending his much desired endorsement to the production. The School for Scandal was extremely well received by its audiences as well as by many contemporary critics.
The plot revolves around members of London’s Georgian society who delight in rumor and gossip and the infelicities and flaws of others. Although they draw their victims from their own membership, they let no action go un-noted or uncriticized. But as the plot unfolds events don’t always prove quite so titillating, and not a few find themselves victims of their own love of scandal.
The comedy of manners was a staple of Restoration theatre with William Congreve and Molière being its most famous proponents. After it fell out of favor it was revived in the later part of the 1700s when a new generation of playwrights like William Goldsmith and Richard Sheridan took up writing them again. Praised for its tight writing and razor wit, The School for Scandal skewered high-society with such spirited ridicule and insight that it earned Sheridan the epithet of “the modern Congreve.”