Зарубежная литература - Страница 138
Description
In the mid 1700s, around the age of eleven, Olaudah Equiano and his sister were kidnapped from their village in equatorial Africa and sold to slavers. Within a year he was aboard a European slave ship on his way to the Caribbean. The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African was published by the author in 1789 and is part adventure story, part treatise on the corrupting power of slavery, and part tract about the transformative powers of Christianity.
Equiano’s story takes him from Africa to the Americas, back across the Atlantic to England, into the Mediterranean, and even north to the ice packs, on a mission to discover the North-East passage. He fights the French in the Seven Year’s War, is a mate and merchant in the West Indies, and eventually becomes a freedman based in London.
The Interesting Narrative of the Life of Olaudah Equiano was one of the first popular slave narratives and was reprinted eight times in the author’s lifetime. While modern scholars value this account as an important source on the life of the eighteenth-century slave and the transition from slavery to freedom, it remains an important literary work in its own right. As a valuable part of the African and African-American canons, it is still frequently taught in both English and History university courses.
Description
The Age of Reason is an important work in the American Deist movement. Paine worked on it continually for more than a decade, publishing it in three parts from 1794 through 1807. It quickly became a best-seller in post-Revolution America, spurring a revival in Deism as an alternative to the prevailing Christian influence.
In clear, simple, and often funny language, Paine attempts to dissect the Bible’s supposed inaccuracies and hypocrisies. He portrays the Bible as a human construct, full of illogic, errors, and internal inconsistencies, as opposed to it being a text born of divine inspiration. On those arguments he pivots to decrying not just Christianity, but organized religion as a whole, as a human invention created to terrorize and enslave. Instead of accepting organized religion, he states that “his mind is his own church” and that man must embrace reason.
While these arguments weren’t new to the wealthy and educated class of the era, they were new to the poor masses. The book was at first distributed as cheap unbound pamphlets, making it easily accessible to the poor; and Paine’s simple language was written in way the poor could understand and sympathize with. This made the powerful very nervous, and, fearing that the book could cause a potential revolution, Paine and his publishers were suppressed.
Paine wrote The Age of Reason while living in Paris. In France, its thesis wasn’t revolutionary enough for the bloodthirsty Jacobins; he was imprisoned there for ten months and only escaped execution through a stroke of luck. Meanwhile in Britain, the government considered the pamphlets seditious. British booksellers and publishers involved in printing and distributing the pamphlets were repeatedly tried for seditious and blasphemous libel, with some even receiving sentences of hard labor.
Paine began writing Part III after escaping France for America, but even the American elite thought the book too scandalous, with Thomas Jefferson—himself a Deist—advising Paine not to publish. Paine listened to Jefferson’s advice and held off publishing Part III for five years before publishing extracts as separate pamphlets. For that reason, Part III is not a concrete publication, but rather an arrangement of several loosely-related pamphlets organized at the discretion of an edition’s editor.
Once it was in the hands of Americans, it sparked a revival in Deism in the United States before being viciously attacked from all sides. Paine earned a reputation as an agitator and blasphemer that stuck to him for the rest of his life.
Despite The Age of Reason’s harsh reception—or perhaps, because of it, and the controversy and discussion it caused—it achieved a popularity in England, France, and America that gave it incredible influence in those nation’s perspectives on organized religion.
Description
Hedda, the proud and willful daughter of General Gabler, newly married to George Tesman, returns from her honeymoon to Norway. She chafes at the prospect of a dull life in a loveless marriage until a former lover, Eilert Løvborg, returns and throws their financial future into disarray. The appearance of Hedda’s old schoolmate Thea, who wants to reform Løvborg, and Judge Brack, who wants Hedda in his power, leave her struggling to build the life she wants.
Hedda Gabler was first performed in Munich in 1891, and within months there were productions in Berlin, Copenhagen, London, and New York. It was Ibsen’s first play to be translated from proofs before performance or publication. Productions of the play have won two Olivier Awards and been broadcast in multiple countries; since 1917, it has been adapted into more than a dozen feature films in almost as many languages.
Description
King Duncan’s closest generals, Macbeth and Banquo, have just defeated two invading armies and the Irish rebel Macdonwald. Out across the misty moor, they encounter three witches who reveal to Macbeth a powerful prophecy: “All hail, Macbeth! hail to thee, thane of Glamis! All hail, Macbeth, hail to thee, thane of Cawdor! All hail, Macbeth, thou shalt be king hereafter!” They not only claim that Macbeth will eventually become King of Scotland, but that Banquo will father a line of Scottish kings—though ominously, Banquo will never be king himself.
This shocking tragedy—a violent caution to those seeking power for its own sake—is, to this day, one of Shakespeare’s most popular and influential masterpieces.
This Standard Ebooks production is based on William George Clark and William Aldis Wright’s 1887 Victoria edition, which is taken from the Globe edition.
Description
Though perhaps most famous for Walden, Henry David Thoreau was also a prolific essayist. Many of his essays touch on subjects similar to his famous book: long walks through nature, things found in moonlight that are invisible and unheard during the day, his preference for wild apples over domestic ones. In many ways he prefigured environmentalism, expressing his love for untouched nature and lamenting what the encroachment of man and cities were doing to it.
He also had strong opinions on many other subjects. One of his most famous essays, “On the Duty of Civil Disobedience,” was written as a result of his going to jail for refusing to pay several years’ worth of poll taxes. One of the primary reasons for his refusal was his holding the government in contempt for its support of slavery, and several of his other essays express support and admiration for John Brown, who thought to start a slave revolt when he attacked Harper’s Ferry in 1859.
Whether discussing trees in a forest, slavery, or the works of Thomas Carlyle, Thoreau’s essays are deeply personal and full of keen observations, often in poetic language. They give a sense of the man expressing them as being much more than the views being expressed.
Description
Helen Keller was just nineteen months old when, in 1882, she was struck with an illness that rendered her deaf, blind, and unable to communicate beyond basic signs. When she was seven, the arrival of Anne Sullivan, a partially blind teacher, catalysed Helen’s learning and created a completely new way of teaching deafblind children. In The Story of My Life, written when Helen was twenty-three, Helen recounts her childhood and the wonders of a blossoming understanding of the world around her, along with her efforts to become the first deafblind person to earn a B.A. degree.
This volume also contains many of her letters, and is substantiated by Anne Sullivan’s own writing and correspondence on Helen’s tuition, along with numerous other accounts. The story was later adapted for both theater and film on multiple occasions as The Miracle Worker, a title bestowed on Anne Sullivan by Mark Twain.
Description
Though Dorothy Day may be best known today for her religious peace activism and her role in founding the Catholic Worker movement, she lived a bohemian youth in the Lower West Side of New York City during the late 1910s and early 1920s. As an editor for radical socialist publications like The Liberator and The Masses, Day was involved in several left-wing causes as well as the Silent Sentinels’ 1917 protest for women’s suffrage in front of the White House.
The Eleventh Virgin is a semi-autobiographical novel told through the eyes of June Henreddy, a young radical journalist whose fictional life closely parallels Day’s own life experiences, including her eventual disillusionment with her bohemian lifestyle. Though later derided by Day as “a very bad book,” The Eleventh Virgin captures a vibrant image of New York’s radical counterculture in the early 20th century and sheds a light on the youthful misadventures of a woman who would eventually be praised by Pope Francis for her dream of “social justice and the rights of persons” during his historic address to a joint session of Congress in 2015.
Description
The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
Description
The knight-errant Hudibras and his trusty (and somewhat more grounded) squire Ralph roam the land in search of adventure and love. Never the most congenial of partners, their constant arguments are Samuel Butler’s satire of the major issues of the day in late 17th century Britain, including the recent civil war, religious sectarianism, philosophy, astrology, and even the differing rights of women and men.
Butler had originally studied to be a lawyer (which explains some of the detail in the third part of Hudibras), but made a living variously as a clerk, part-time painter, and secretary before dedicating himself to writing in 1662. Hudibras was immediately popular on the release of its first part, and, like Don Quixote, even had an unauthorized second part available before Butler had finished the genuine one. Voltaire praised the humor, and although Samuel Pepys wasn’t immediately taken with the poem, it was such the rage that he noted in his diary that he’d repurchased it to see again what the fuss was about. Hudibras’s popularity did not fade for many years, and although some of the finer detail of 17th century talking points might be lost on the modern reader, the wit of the caricatures (and a large collection of endnotes) help bring this story to life.
Description
Dante Alighieri’s Divine Comedy is considered one of the greatest works in world literature, and it established the standardized Italian language that is used today. Writing between 1308 and 1320, Dante draws from countless subjects including Roman Catholic theology and philosophy, the struggle between the papacy and the Holy Roman Empire, Greek mythology, and geocentric cosmology to answer the age-old question: what does the afterlife look like? Dante’s vision of the answer, this three-volume epic poem, describes in great detail the systematic levels in Hell, Purgatory, and Heaven.
The poem opens with Dante’s death—not his actual death that would come shortly after his work’s completion, but his fictional death—where the author is found wandering in a dark forest. Blocked from climbing towards the bright light by a she-wolf, a leopard, and a lion, he is forced to walk further into the darkened valley and towards the gates of Hell. Dante and his guides must then travel through the nine circles of Hell, seven terraces of Purgatory, and nine spheres of Heaven to experience divine justice for earthly sins so that he may reach the Empyrean and receive God’s love. On his journey, he will learn that one must be consciously devoted to the path of morality and righteousness, else one find oneself on a path towards sin.
This production is based on Henry Wadsworth Longfellow’s blank verse translation. Longfellow succeeds in capturing the original brilliance of Dante’s internal rhymes and hypnotic patterns while also retaining accuracy. It is said that the death of his young wife brought him closer to the melancholy spirit of Dante’s writing, which itself was shaped by his wounding exile from his beloved Florence in 1302.