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Description
Martin Arrowsmith, the titular protagonist, grows up in a small Midwestern town where he wants to become a doctor. At medical school he meets an abrasive but brilliant professor, Gottlieb, who becomes his mentor. As Arrowsmith completes his training he begins a career practicing medicine. But, echoing Lewis’s Main Street, small-town life becomes too insular and restricting; his interest in research and not people makes him unpopular, and he decides to work in a research laboratory instead.
From there Arrowsmith begins a career that hits all of the ethical quandaries that scientists and those in the medical profession encounter: everything from the ethical problem of research protocol strictness versus saving lives, to doing research for the betterment of mankind versus for turning a profit, to the politics of institutions, to the social problems of wealth and poverty. Arrowsmith struggles with these dilemmas because, like all of us, he isn’t perfect. Despite his interest in helping humanity, he has little interest in people—aside from his serial womanizing—and this makes the path of his career an even harder one to walk. He’s surrounded on all sides by icons of nobility, icons of pride, and icons of rapaciousness, each one distracting him from his calling.
Though the book isn’t strictly a satire, few escape Lewis’s biting pen. He skewers everyone indiscriminately: small-town rubes, big-city blowhards, aspiring politicians, doctors of both the noble and greedy variety, hapless ivory-towered researchers, holier-than-thou neighbors, tedious gilded-age socialites, and even lazy and backwards islanders. In some ways, Arrowsmith rivals Main Street in its often-bleak view of human nature—though unlike Main Street, the good to humanity that science offers is an ultimate light at the end of the tunnel.
The novel’s publication in 1925 made it one of the first serious “science” novels, exploring all aspects of the life and career of a modern scientist. Lewis was aided in the novel’s preparation by Paul de Kruif, a microbiologist and writer, whose medically-accurate contributions greatly enhance the text’s realist flavor.
In 1926 Arrowsmith was awarded the Pulitzer Prize, but Lewis famously declined it. In his refusal letter, he claimed a disinterest in prizes of any kind; but the New York Times reported that those close to him say he was still angered over the Pulitzer’s last-minute snatching of the 1921 prize from Main Street in favor of giving it to The Age of Innocence.
Description
Othello was written in 1603 and first performed in 1604. The underlying story is based on “A Moorish Captain,” one of the stories in Cinthio’s Gli Hecatommithi, written in 1565.
Othello is a Moorish black general in Venice, known for his military prowess. He elopes with Desdemona, a noble Venetian lady, who is the daughter of Brabantio, a senator. When Othello promotes Cassio to be his lieutenant over Iago, his ensign, the evil Iago gets his revenge by alleging an affair between Cassio and Desdemona, sowing doubt in the mind of Othello.
This Standard Ebooks production is based on William George Clark and William Aldis Wright’s 1887 Victoria edition, which is taken from the Globe edition.
Description
The first battle of St. Alban’s is over and the White Rose faction is victorious. They have captured Henry VI and, after having threatened him with violence, secured the king’s promise of passing the crown to Edward Plantagenet after his death. Not willing to accept her son’s disinheritance, Queen Margaret decides to take matters into her own hands and declares war on the Yorkists.
Margaret’s forces invade Wakefield Castle, home to the Duke of York and his sons, and successfully capture York. The queen and Clifford taunt York and eventually stab him to death. York’s sons Edward and Richard receive news of their father’s death, vow to get their revenge, and plan to place Edward on the English throne.
This Standard Ebooks production is based on William George Clark and William Aldis Wright’s 1887 Victoria edition, which is taken from the Globe edition.
Description
In the process of writing his memoirs, Arsène Lupin takes us back to his early twenties and his first love: Clarice d’Etigues. Although forbidden by her father to meet, that doesn’t stop Ralph d’Andresy—Lupin’s nom du jour—from wooing Clarice. But when he finds evidence on the d’Etigues estate of a conspiracy to murder a woman, he cannot help but be drawn into the ensuing three-way race to a legendary treasure.
Memoirs of Arsène Lupin was originally published in France in 1924 under the name La Comtesse de Cagliostro; this English translation was published the following year. Maurice Leblanc was not the only author to call on the myth of Cagliostro as a framing device: both Goethe and Dumas had written famous novels on the subject. This story showcases a Lupin who is growing into his abilities, and with the swings between outright confidence and self-doubt that would be expected of so comparatively young a protagonist.
Description
Growing bored while accompanying his Cambridge chum Mike on a cricket tour of the United States, Psmith seeks adventure in New York City. He finds it in the form of the weekly newspaper Cosy Moments, a completely bland and inoffensive publication at which, through charm and sheer force of personality, Psmith appoints himself an unpaid subeditor, fires the entire contributing staff, and embarks on a crusade against the slumlords, gangs, and boxing managers of his holiday destination.
Psmith, Journalist is the second of Wodehouse’s Psmith novels, and is a marked departure from the author’s usual settings and themes. It presents a very strong social justice theme with direct, harsh condemnation of exploitation, corruption, racism, and inequality in early-twentieth century America, and its themes continue to resonate with readers a century later.
The story first appeared in The Captain magazine from October 1909 to February 1910, and was first published as a book, including eight illustrations, by A & C Black in 1915. This Standard Ebook is based on the 1923 edition by the same publisher.
Description
Probably Virginia Woolf’s best-known novel, Mrs. Dalloway, originally published in 1925, is a glorious, ground-breaking text. On the surface, it follows Clarissa Dalloway, an Englishwoman in her fifties, minute by minute through the June day on which she is having a party. At a deeper level, however, the novel demonstrates, through an effortless stream of consciousness, the connections formed in human interaction—whether these interactions are fleeting, or persist through decades.
This is a novel to read and cherish, if only to marvel at Woolf’s linguistic acrobatics. Words and phrases swoop and soar like swallows. Woolf’s sentences are magnificent: sinuous, whirling, impeccably detailed. As narrative perspective shifts from character to character—sometimes within a single sentence—readers come to understand the oh-so-permeable barrier between self and other. Through Clarissa we meet Septimus Warren Smith, his wife Rezia, and a cast of dozens more, all connected by the “leaden circles” of Big Ben marking the passage of every hour, by the pavements of Bloomsbury that lead everywhere and nowhere. Modernist London has never been portrayed more sublimely: replete with birdsong and flowers, resplendent in sunshine, youthful yet eternal—and even in the aftermath of war and pandemic, resilient.
Mrs. Dalloway is Woolf’s attempt to express that which may be inexpressible. It offers a close examination of how difficult it is, even when our hearts are brimming, to say what we really feel; and it examines the damage we inflict through our reticence with words, our withholding of love. It is a novel of the soul, and a work of immense beauty.
Description
Though often packed into the genre of science fiction, R. A. Lafferty might fit better into a category of the bizzare. Through a blend of folk storytelling, American tall tales, science fiction, and fantasy, all infused with his devout Catholicism, he has created an inimitable, genre-bending, sui generis style.
Lafferty has received many Hugo and Nebula Award nominations and won the Best Short Story Hugo in 1973.
Collected here are all of his public domain short stories, all of which were originally published in science fiction pulp magazines in the 1960s.
Description
Lord Jim was first published as a serial in Blackwood’s Magazine between October 1899 and November 1900. The first edition of the complete book was published by William Blackwood and Sons in 1900. The story begins when the young British seaman Jim, one of the crew of the steamer Patna, abandons the ship while it’s in distress. The resulting censure prevents Jim from finding stable employment, until a captain named Marlow suggests he find his future in Patusan, a small village on a remote island in the South Seas. There he’s able to earn the respect of the islanders and is dubbed “Lord Jim.”
The abandoning of the Patna by its crew is said to have been based on the real-life abandoning of the S.S. Jeddah in 1880. Lord Jim explores issues of colonialism, dreams of heroism, guilt, failure, and redemption. The book is remarkable for its unusual nested narrative structure, in which Captain Marlow and a number of other characters provide multiple perspectives of the protagonist. The gradual build-up of their richly described viewpoints imparts glimpses of Jim’s inner life, yet ultimately leaves him unknowable.
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
Description
This collection contains the poems written by James Weldon Johnson between 1899 and 1922. During this period of Johnson’s life, he worked as a Broadway songwriter with his brother John Rosamund in the early 1900s, served as a United States Consul in Venezuela from 1906 to 1908 and in Nicaragua from 1909 to 1913, and was appointed as the first executive secretary of the National Association for the Advancement of Colored People (NAACP) in 1920. Johnson’s work arose in the milieu of the 1920s “Harlem Renaissance,” a term which Johnson personally refused to use, favoring “the flowering of Negro literature” instead.
Perhaps among the most notable works anthologized in this collection are the lyrics of “Lift Ev’ry Voice and Sing,” a hymn originally written as a poem by Johnson in 1899. Having been dubbed “The Black National Anthem,” the hymn has taken on the significance of a rallying cry for black Americans and is a frequent inclusion in Christian hymnals.