Description
Leonid Andreyev was a Russian playwright and author of short stories and novellas, writing primarily in the first two decades of the 20th century. Matching the depression he suffered from an early age, his writing is always dark of tone with subjects including biblical parables, Russian life, eldritch horror and revolutionary fervour. H. P. Lovecraft was a reader of his work, and The Seven Who Were Hanged (included here) has even been cited as direct inspiration for the assassination of Arch-Duke Ferdinand: the event that started the first World War. Originally a lawyer, his first published short story brought him to the attention of Maxim Gorky who not only became a firm friend but also championed Andreyev’s writing in his collections to great commercial acclaim.
Widely translated into English during his life, this collection comprises the best individual translations of each of his short stories and novellas available in the public domain, presented in chronological order of their original publication in Russian.
Description
Satan has returned to Earth for a sightseeing visit in the form of the American billionaire Henry Wondergood. Accompanied by his faithful demon butler Toppi they head for Rome, but are sidetracked by an unforeseen accident and end up at the home of the inscrutable Thomas Magnus and his divine daughter Maria. As Satan begins to discover the meaning of being a man, the satanic aspects of mankind become ever more apparent to him.
Leonid Andreyev was a Russian author active in the beginning of the twentieth century, famous mostly for his plays and short fiction, and often portrayed as Russia’s equivalent to Edgar Allan Poe. Satan’s Diary was his last work, completed just a few days before his death in 1919. This edition was translated by his previous collaborator Herman Bernstein and published in 1920.
Description
A mysterious gentleman arrives at Papa Briquet’s circus, and applies to be a clown; unable to do a backflip, and with the circus unwilling to accept the idea of political discourse among the clowns, they settle together on the role of He Who Gets Slapped. Unfortunately for the troupe, He has motives for joining that aren’t immediately apparent; motives that start to threaten the integrity of the circus.
He Who Gets Slapped was first presented in Moscow in 1915 to enthusiastic audiences, although critics at the time were confused about Leonid Andreyev’s subtexts. It is his most famous play, at least partially due to the later release in 1924 of a film adaptation by the newly-formed MGM Studios.