Description
Considered by many to be Maugham’s masterpiece, Of Human Bondage is a semi-autobiographical coming-of-age tale. The novel follows Philip, a sensitive young man interested in literature and art, as he searches for happiness in London and Paris. Philip, the ostensible stand-in for Maugham, suffers from a club foot, a physical representation of the stutter that Maugham himself suffered. Philip’s love life, a central aspect to the book, also mirrors Maugham’s own stormy affairs.
Maugham originally titled the book “Beauty from Ashes” before settling on the final title, taken from a section of Spinoza’s Ethics in which he discusses how one’s inability to control one’s emotions results in a form of bondage.
Description
The Moon and Sixpence tells the story of English stockbroker Charles Strickland, who abandons his wife and child to travel to Paris to become a painter. First published in 1919 in the United Kingdom by Heinemann, the story is inspired by the life of the French artist Paul Gauguin. It’s told in episodic form from a first-person perspective. The narrator, who came to know Strickland through his wife’s literary parties, begins the story as Strickland leaves for Paris. Strickland’s new life becomes a stark contrast to his life in London. While he was once a well-off banker living a comfortable life, he must now sleep in cheap hotels while suffering both illness and hunger.
Maugham spent a year in Paris in 1904, which is when he first heard the story of Gauguin, the banker who left his family and profession to pursue his passion for art. He heard the story from others who had known and worked with Gauguin. Ten years later Maugham travelled to Tahiti where he met others who had known Gauguin during the artist’s time there. Inspired by the stories he heard, Maugham wrote The Moon and Sixpence. Although based on the life of Paul Gauguin, the story is a work of fiction.
Description
On a Chinese Screen was first published in 1922 by Heinemann Publishers, London. Its 58 short vignettes are based on Maugham’s travels along the Yangtze River from 1919 to 1920. Although later editions of the book added the subtitle “Sketches of Life in China,” there are actually only a few descriptions of the places he visited and the local Chinese people he met; rather, Maugham focuses on relaying his encounters with a range of Europeans living and working in the country. Maugham is quite critical of many of them and their lack of interest in, and sometimes disdain, for the country and its people, except for the extent to which their careers and pockets could benefit. His sketches highlight the difficulties that many expatriates encounter while living in a foreign culture.
Description
In Paris, surgeon Arthur Burdon and his fiancé are introduced to Oliver Haddo, a wealthy Englishman from an old family who claims to be a magician trained in the occult. At first they are unconvinced and irritated by Haddo’s boasts; however he soon demonstrates his powers in more and more fateful ways.
The character of Oliver Haddo is an unflattering caricature of the English occultist Alistair Crowley, whom Maugham had met while living in Paris. Crowley himself wrote a review in Vanity Fair in which he accused Maugham of plagiarizing various other novels, signing off as “Oliver Haddo.” Most critics dismissed these allegations.