Description
Melville’s pen ranges far and wide in this collection of his short stories and novellas, with subjects including a faraway mountain lodge, a magnificent rooster, a haunted table, and of course the inimitable scrivener Bartleby, whose tale is now viewed as one of the great English short stories. While his earlier novels had been well received, by this point in his career his star had waned, and it was only in the early twentieth century that his work, including these short stories, started to get the recognition it still enjoys today.
This volume collects Melville’s short stories verified to be in the U.S. public domain, in the order they were originally published in Harper’s New Monthly Magazine and Putnam’s Monthly Magazine (along with “The Piazza” which was written for the collection The Piazza Tales). The racism displayed in “Benito Cereno” against the African slaves is somewhat shocking to modern readers given our greater understanding of their story, but was common in the mid-nineteenth century.
Description
“Call me Ishmael” says Moby Dick’s protagonist, and with this famous first line launches one of the acclaimed great American novels. Part adventure story, part quest for vengeance, part biological textbook and part whaling manual, Moby Dick was first published in 1851. The story follows Ishmael as he abandons his humdrum life on shore for an adventure on the waves. Finding the whaler Pequod at harbour in Nantucket, he signs up for a three year term without meeting the Captain of the ship, a mysterious figure called Ahab. It is only well into the voyage that Ahab’s thirst for vengeance against the eponymous white whale Moby Dick—and the consequences—become clear.
The novel is semi-autobiographical: Herman Melville had had his own experience of whaling, having spent a year and a half aboard a whaling ship and further years travelling the world in the early 1840s. Herman used the knowledge gained from his experiences and wide reading on the subject to furnish Moby Dick with an almost encyclopaedic quality at times. The literary style varies widely, veering from soliloquies and staged scenes to dream sequences to comprehensive lists of ships provisions, but everything serves to further detail the world that’s being painted.
Presented here is the New York edition, which was published later than the London edition and reverted numerous changes the original publishers had made, as well as including the initially omitted epilogue.