Description
The “Moonstone” of the title is a large but flawed diamond, looted from India at the time of the Mutiny by an unscrupulous British officer. Many years later, estranged from his family due to his licentious lifestyle, the officer bequeaths the diamond to his sister’s daughter, Rachel Verrinder, to be given to her on her 18th birthday. Due to the ill-omens surrounding the gem, this may have been an act of revenge rather than reconciliation. The diamond, it appears, was taken from a statue of the Moon God worshipped by a Hindu cult, and it has long been sought by a group of Brahmins determined to return it to their temple.
On the night of the birthday party the gem mysteriously disappears from Rachel’s room. While the first suspicions naturally fall on these Indians, they are eventually exculpated. Rachel becomes hysterical and angry when questioned about the theft and refuses to assist the police. Active efforts to assist them are taken up by Rachel’s cousin (and sweetheart) Franklin Blake. These efforts simply drive Rachel into further fury, and she becomes completely estranged from him. Suspicion thus falls on her as having some secret reason for wishing to raise money on the diamond. The novel proceeds to slowly uncover the mysteries involved.
Published in 1868, The Moonstone is often considered as one of the precursors of the modern detective novel, though this is a label which would not have been used by its author Wilkie Collins and his contemporaries. While it is true that the plot revolves around the mystery of a theft, and that it features Sergeant Cuff “in the Detective Force of Scotland Yard,” the novel is much more about character and relationships than the mere revelation of secrets. It also has a good dose of Collins’ humour, as the story is told in large part by eccentric characters such as the old house-steward Gabriel Betteredge who regards Robinson Crusoe as an oracle; and the ultra-religious Miss Clack, determined to convert everyone to her views.
Immensely popular at the time of its publication in serial form, The Moonstone is rightly considered to be one of Collins’ best works, and remains highly regarded today.
Description
Man and Wife is the ninth novel by Wilkie Collins, and was published in serial form in 1870. Like many of his other novels it has a complex plot and tackles social issues, in this case the then-lax state of the marriage laws, particularly in Scotland and Ireland. As always, Collins deals carefully but frankly with human personal behavior. To avoid offending Victorian morals too greatly, much is implied rather than stated outright. Nevertheless, even dealing with such matters at all led to his novels being derided as “sensation fiction” by his critics. By today’s standards, of course, they wouldn’t even raise an eyebrow.
In Man and Wife, the main character Anne Silvester has fallen pregnant to a muscular and handsome, but boorish man, Geoffrey Delamayn, to whom she is not married. She is working as a governess at a house in Scotland. Anne arranges to meet Delamayn secretly at a garden party and angrily demands that he fulfill his promise to marry her, that very day. He very reluctantly agrees to a secret, private marriage, knowing that a public marriage would badly affect his inheritance prospects. How is the marriage to be arranged quickly but kept quiet? Anne has a plan based on her understanding of the looseness of the marriage laws in Scotland. Naturally, of course, things go badly wrong with this plan and many complexities arise.
Collins is deeply critical of the state of contemporary marriage laws, both in how loosely they were framed, and in how little power over their own lives they gave to women once they were married, even if married to a brutal man. He also uses this novel to denounce the worship of sporting heroes and the obsession with physical prowess rather than mental superiority as a primary indication of male virtue.
Though not as popular as his novels The Woman in White and The Moonstone, Man and Wife received a good critical reception when it was released and was a commercial success.
Description
The Dead Secret is Wilkie Collins’ fourth novel. It first appeared in serial form in Charles Dickens’ Household Words magazine during 1856. Like many of Collins’ books, it features incidents and themes which were considered to be sensational at the time; in this case, sex before marriage, illegitimacy, and fraud.
The novel opens with a scene at Porthgenna Tower, a mansion in Cornwall, where the lady of the house, Mrs. Treverton, is dying. On her deathbed, she tries to force her maidservant, Sarah Leeson, to swear that she will give a letter Mrs. Treverton has written to her husband, Captain Treverton, once she is dead. The letter reveals an important family secret in which Sarah is deeply involved and which she consequently is desperately unwilling to pass on. Mrs. Treverton succeeds in making Sarah swear not to destroy the letter or remove it from the house, but dies before making the young woman swear to give the letter to the Captain. Sarah therefore finds a place to conceal it within the house.
The rest of the novel deals with Rosamond, the Treverton’s daughter, who grows to adulthood and marries Leonard Franklin, a young man of a well-to-do family, who is afflicted with blindness. Franklin purchases Porthgenna Tower after the Captain’s death, and the couple plan to move into the property and renovate it. Doing so, however, means that they are likely to uncover the hidden letter concealing the family secret.
While critics don’t consider The Dead Secret to be one of Collins’ best novels, it contains some of the same elements of mystery and suspense as The Woman in White and The Moonstone, and much of his characteristic wry humor.
Description
The Woman in White tells the story of Walter Hartright, a young and impoverished drawing teacher who falls in love with his aristocratic pupil, Laura Fairlie. He cannot hope to marry her, however, and she is married off against her will to a baronet, Sir Percival Glyde, who is seeking her fortune. The terms of her marriage settlement prevent Glyde accessing her money while she lives, so together with his deceptively charming and cunning friend, Count Fosco, they hatch an unscrupulous deception to do so nonetheless. In an early 19th Century version of “identity theft,” they contrive to fake Laura’s death and confine her to a mental asylum. Their plot is eventually uncovered and exposed by Hartright with the help of Laura’s resourceful half-sister, Marian Halcombe.
The Woman in White was the most popular of Wilkie Collins’ novels in the genre then known as “sensation fiction.” It has never been out of print and is frequently included in lists of the best novels of all time. Published initially in serial form in 1859–60, it achieved an early and remarkable following, probably because of the strength of its characters, in particular the smooth and charming but utterly wicked villain Count Fosco, and the intelligent and steadfast Marian Halcombe opposed to him.
Description
No Name is set in England during the 1840s. It follows the fortunes of two sisters, Magdalen Vanstone and her older sister Norah. Their comfortable upper-middle-class lives are shockingly disrupted when, after the sudden deaths of their parents, they discover that they are disinherited and left without either name or fortune. The headstrong Magdalen vows to recover their inheritance, by fair means or foul. Her increasing desperation makes her vulnerable to a wily confidence trickster, Captain Wragge, who promises to assist her in return for a cut of the profits.
No Name was published in serial form like many of Wilkie Collins’ other works. They were tremendously popular in their time, with long queues forming awaiting the publication of each episode. Though not as well known as his The Woman in White and The Moonstone, No Name is their equal in boasting a gripping plot and strong women characters (a rarity in the Victorian era). Collins’ mentor Charles Dickens is on record as considering it to be far the superior of The Woman in White.