My First Summer in the Sierra, стр. 34

And what glorious landscapes are about me, new plants, new animals, new crystals, and multitudes of new mountains far higher than Hoffman, towering in glorious array along the axis of the range, serene, majestic, snow-laden, sun-drenched, vast domes and ridges shining below them, forests, lakes, and meadows in the hollows, the pure blue bellflower sky brooding them all⁠—a glory day of admission into a new realm of wonders as if Nature had wooingly whispered, “Come higher.” What questions I asked, and how little I know of all the vast show, and how eagerly, tremulously hopeful of some day knowing more, learning the meaning of these divine symbols crowded together on this wondrous page.

Mount Hoffman is the highest part of a ridge or spur about fourteen miles from the axis of the main range, perhaps a remnant brought into relief and isolated by unequal denudation. The southern slopes shed their waters into Yosemite Valley by Tenaya and Dome Creeks, the northern in part into the Tuolumne River, but mostly into the Merced by Yosemite Creek. The rock is mostly granite, with some small piles and crests rising here and there in picturesque pillared and castellated remnants of red metamorphic slates. Both the granite and slates are divided by joints, making them separable into blocks like the stones of artificial masonry, suggesting the Scripture “He hath builded the mountains.” Great banks of snow and ice are piled in hollows on the cool precipitous north side forming the highest perennial sources of Yosemite Creek. The southern slopes are much more gradual and accessible. Narrow slot-like gorges extend across the summit at right angles, which look like lanes, formed evidently by the erosion of less resisting beds. They are usually called “devil’s slides,” though they lie far above the region usually haunted by the devil; for though we read that he once climbed an exceeding high mountain, he cannot be much of a mountaineer, for his tracks are seldom seen above the timberline.

The broad gray summit is barren and desolate-looking in general views, wasted by ages of gnawing storms; but looking at the surface in detail, one finds it covered by thousands and millions of charming plants with leaves and flowers so small they form no mass of color visible at a distance of a few hundred yards. Beds of azure daisies smile confidingly in moist hollows, and along the banks of small rills, with several species of eriogonum, silky-leaved ivesia, pentstemon, orthocarpus, and patches of Primula suffruticosa, a beautiful shrubby species. Here also I found bryanthus, a charming heathwort covered with purple flowers and dark green foliage like heather, and three trees new to me⁠—a hemlock and two pines. The hemlock (Tsuga Mertensiana) is the most beautiful conifer I have ever seen; the branches and also the main axis droop in a singularly graceful way, and the dense foliage covers the delicate, sensitive, swaying branchlets all around. It is now in full bloom, and the flowers, together with thousands of last season’s cones still clinging to the drooping sprays, display wonderful wealth of color, brown and purple and blue. Gladly I climbed the first tree I found to revel in the midst of it. How the touch of the flowers makes one’s flesh tingle! The pistillate are dark, rich purple, and almost translucent, the staminate blue⁠—a vivid, pure tone of blue like the mountain sky⁠—the most uncommonly beautiful of all the Sierra tree flowers I have seen. How wonderful that, with all its delicate feminine grace and beauty of form and dress and behavior, this lovely tree up here, exposed to the wildest blasts, has already endured the storms of centuries of winters!

The two pines also are brave storm-enduring trees, the mountain pine (Pinus monticola) and the dwarf pine (Pinus albicaulis). The mountain pine is closely related to the sugar pine, though the cones are only about four to six inches long. The largest trees are from five to six feet in diameter at four feet above the ground, the bark rich brown. Only a few storm-beaten adventurers approach the summit of the mountain. The dwarf or white-bark pine is the species that forms the timberline, where it is so completely dwarfed that one may walk over the top of a bed of it as over snow-pressed chaparral.

How boundless the day seems as we revel in these storm-beaten sky gardens amid so vast a congregation of onlooking mountains! Strange and admirable it is that the more savage and chilly and storm-chafed the mountains, the finer the glow on their faces and the finer the plants they bear. The myriads of flowers tingeing the mountain-top do not seem to have grown out of the dry, rough gravel of disintegration, but rather they appear as visitors, a cloud of witnesses to Nature’s love in what we in our timid ignorance and unbelief call howling desert. The surface of the ground, so dull and forbidding at first sight, besides being rich in plants, shines and sparkles with crystals: mica, hornblende, feldspar, quartz, tourmaline. The radiance in some places is so great as to be fairly dazzling, keen lance rays of every color flashing, sparkling in glorious abundance, joining the plants in their fine, brave beauty-work⁠—every crystal, every flower a window opening into heaven, a mirror reflecting the Creator.

From garden to garden, ridge to ridge, I drifted enchanted, now on my knees gazing into the face of a daisy, now climbing again and again among the purple and azure flowers of the hemlocks, now down into the treasuries of the snow, or gazing afar over domes and peaks, lakes and woods, and the billowy glaciated fields of the upper Tuolumne, and trying to sketch them. In the midst of such beauty, pierced with its rays, one’s body is all one